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COLOGNE CATHEDRAL

GERMANY

PAUL SCOTT

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Plan

PLAN

 

Cologne Cathedral is a very large building which contains many items of interest. We shall begin our outside tour at the West wall (A) and move around the Cathedral in an anti-clockwise direction to the East (X). Since at the time of my visit our circuit is interrupted here by building works, we then retrace our steps to the North wall (Y, Z), moving back to our starting position (A).

Entering the Cathedral, we follow mainly a clockwise circuit, referring to the Plan numbers wherever possible. The Plan cames from the excellent publication ‘Cologne Cathedral’ by Arnold Wolff, and I wish to acknowledge my indebtedness to this work for the plan, and also for much of the text. [See Conclusion]

 

A history of the Cathedral is given below. However, if you want to begin your tour of the Cathedral immediately, tap / click on START . You can also access intermediate points in the tour by a tap / click on the following links:

 

01 START

18 Stone Yard

29 Central Nave

42 North Transept

64 W Chapels

82 Choir

90 South Transept

114 West Window

124 Treasury

 

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HISTORY

[Wikipedia]

 

Cologne Cathedral (German: Kölner Dom, officially Hohe Domkirche Sankt Petrus, English: Cathedral Church of Saint Peter) is a Catholic cathedral in Cologne, North Rhine-Westphalia, Germany. It is the seat of the Archbishop of Cologne and of the administration of the Archdiocese of Cologne. It is a renowned monument of German Catholicism and Gothic architecture and was declared a World Heritage Site in 1996. It is Germany’s most visited landmark, attracting an average of 20,000 people a day. At 157 m (515 ft), the Cathedral is currently the tallest twin-spired church in the world, the second tallest church in Europe after Ulm Minster, and the third tallest church in the world. It is the largest Gothic church in Northern Europe and has the second-tallest spires. The towers for its two huge spires give the Cathedral the largest façade of any church in the world. The choir has the largest height to width ratio, 3.6:1, of any medieval church.

Construction of Cologne Cathedral began in 1248 but was halted in the years around 1560, unfinished. Work did not restart until the 1840s, and the edifice was then completed to its original Medieval plan in 1880.

Cologne’s medieval builders had planned a grand structure to house the reliquary of the Three Kings and fit its role as a place of worship for the Holy Roman Emperor. Despite having been left incomplete during the medieval period, Cologne Cathedral eventually became unified as ‘a masterpiece of exceptional intrinsic value’ and ‘a powerful testimony to the strength and persistence of Christian belief in medieval and modern Europe’.

Only the city’s telecommunications tower is higher than the Cathedral.

 

History
When construction began on the present Cologne Cathedral in 1248 with foundation stone, the site had already been occupied by several previous structures. The earliest may have been for grain storage and possibly was succeeded by a Roman temple built by Mercurius Augustus. From the 4th century on, however, the site was occupied by Christian buildings, including a square edifice known as the ‘oldest cathedral’ that was commissioned by Maternus, the first bishop of Cologne. A free-standing baptistery dating back to the 7th century was located at the east end of the present cathedral but was demolished in the 9th century to build the second cathedral. During excavations of the present cathedral, graves were discovered in the location of the oldest portion of the building; including that of a boy that was richly adorned with grave goods and another of a woman, popularly thought to be Wisigard. Both graves are thought to be from the 6th century. Only ruins of the baptistery and the octagonal baptismal font remain today.

The second church, called the ‘Old Cathedral’, was completed in 818. It was destroyed by fire on 30 April 1248, during demolition work to prepare for a new cathedral.

 

Medieval beginning
In 1164, the Archbishop of Cologne, Rainald of Dassel, acquired the relics of the Three Kings which the Holy Roman Emperor, Frederick Barbarossa, had taken from the Basilica of Sant’ Eustorgio, Milan, Italy. (Parts of the relics have since been returned to Milan.) The relics have great religious significance and drew pilgrims from all over Christendom. It was important to church officials that they be properly housed, and thus began a building program in the new style of Gothic architecture, based in particular on the French cathedral of Amiens.

The foundation stone was laid on 15 August 1248, by Archbishop Konrad von Hochstaden. The eastern arm was completed under the direction of Master Gerhard, was consecrated in 1322, and sealed off by a temporary wall so it could be used as the work continued. Eighty-four misericords in the choir date from this building phase. In the mid 14th century work on the west front commenced under Master Michael. This work ceased in 1473, leaving the south tower complete to the belfry level and crowned with a huge crane that remained in place as a landmark of the Cologne skyline for 400 years. Some work proceeded intermittently on the structure of the nave between the west front and the eastern arm, but during the 16th century this also stopped.

 

19th century completion
With the 19th century romantic enthusiasm for the Middle Ages, and spurred by the discovery of the original plan for the façade, it was decided, with the commitment of the Protestant Prussian Court, to complete the Cathedral. It was achieved by civic effort; the Central-Dombauverein, founded in 1842, raised two-thirds of the enormous costs, while the Prussian state supplied the remaining third. The state saw this as a way to improve its relations with the large number of Catholic subjects it had gained in 1815, but especially after 1871, it was regarded as a project to symbolize German nationhood.

Work resumed in 1842 to the original design of the surviving medieval plans and drawings, but utilizing more modern construction techniques, including iron roof girders. The nave was completed and the towers were added. The bells were installed in the 1870s. The largest bell is St. Petersglocke.

The completion of Germany’s largest cathedral was celebrated as a national event on 14 August 1880, 632 years after construction had begun. The celebration was attended by Emperor Wilhelm I. With a height of 157.38 metres (516.3 ft), it was the tallest building in the world for four years until the completion of the Washington Monument.

 

World War II and post-war history
The cathedral suffered fourteen hits by aerial bombs during World War II. Badly damaged, it nevertheless remained standing in an otherwise completely flattened city. The twin spires were an easily recognizable navigational landmark for Allied aircraft bombing.

On 6 March 1945, an area west of the Cathedral (Marzellenstrasse/Trankgasse) was the site of intense combat between American tanks of the 3rd Armourer Division and a Panther Ausf. A of Panzer brigade 106 Feldherrnhalle. The Panther successfully knocked out a Sherman, killing three men, before it was destroyed by a T26E3 Pershing hours later. Footage of that battle survives. The destroyed Panther was later put on display at the base of the cathedral for the remainder of the war in Europe.

Repairs of the war damage were completed in 1956. An emergency repair to the base of the northwest tower, carried out in 1944 using poor-quality brick taken from a nearby ruined building, remained visible as a reminder of the war until 2005, when it was decided to restore the section to its original appearance.

Repair and maintenance work is constantly being carried out in one or another section of the building, which is rarely completely free of scaffolding, as wind, rain, and pollution slowly eat away at the stones. The Dombauhütte, established to build the Cathedral and keep it in repair, is said to employ the best stonemasons in the Rhineland. Half the costs of repair and maintenance are still borne by the Dombauverein.

 

21st century
On 18 August 2005, Pope Benedict XVI visited the cathedral during his apostolic visit to Germany, as part of World Youth Day 2005 festivities. An estimated one million pilgrims visited the Cathedral during this time. Also as part of the events of World Youth Day, Cologne Cathedral hosted a televised gala performance of Beethoven’s Missa Solemnis, performed by the Royal Philharmonic Orchestra and the London Philharmonic Choir conducted by Sir Gilbert Levine.

On 25 August 2007, the Cathedral received a new stained glass window in the south transept. The 113 square metres (1,220 sq ft) glass work was created by the German artist Gerhard Richter with the €400,000 cost paid by donations. It is composed of 11,500 identically sized pieces of coloured glass resembling pixels, randomly arranged by computer, which create a colourful ‘carpet’. Since the loss of the original window in World War II, the space had been temporarily filled with plain glass. The then archbishop of the cathedral, Cardinal Joachim Meisner, who had preferred a figurative depiction of 20th-century Catholic martyrs for the window, did not attend the unveiling. Holder of the office since 2014 is Cardinal Rainer Maria Woelki. On 5 January 2015, the Cathedral remained dark as floodlights were switched off to protest a demonstration by PEGIDA.

 

 

 

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